Foxcatcher would rather receive respect, not praise. Filmed with chilly cinematography, director Bennett Miller maintains a tasteful distance from his subject. While many true crime films focus on lurid details, here is one that goes out of its way to remain obtuse. The three main characters never discuss how they feel, at least not in a direct way, which means Miller wants us to read between the lines. The only trouble is that Foxcatcher maintains its distance to a fault, to the point where the nuanced, terrific performances are nearly lost. Given the somber tone and look of the film, however, it’s ironic that its best moments are also the most funny.